Registration number
Af1898,0115.172
Institution
British Museum
Edo designations
English designations
Relief Plaque
Categories
Palace Architecture & Ornamentation
Location
Great Russell St, Bloomsbury, London WC1B 3DG, United Kingdom
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Relief Plaque
Relief Plaque

Iconographies

4 annotations
moon
Uki
Moon

The Uki (moon) is said to be associated with coolness, peace, and joy and to be more important than even Owẹn (the sun). The behaviour and nature of the moon were and are studied by the Iwoki, the guild of astrologists and meteorologists established by Ọba Ẹsigie (c. 1504–50).

The Uki is usually depicted in crescent or half-moon form and appears on some of the Ama-Ẹrọnmwọn (bronze relief plaques), sometimes on its own as a corner motif and at other times as part of compositions with figures identified as being part of the Iwoki. Crescent forms of the moon are also used as part of the motifs decorating textiles and clothing worn by figures.

1 annotation
Uki
Fish
Ehẹn
Fish

Ehẹn is a general term used to describe various types of fish.Ọbazee 2025, p. 90 Although mudfish are one of the most common motifs in Benin art, other kinds of fish are also represented. According to Blackmun, a greater variety of fish are represented on the Aken'ni Elao (carved tusks) than on other types of royal artefacts. According to Kathy Curnow, fish appear on 70 Ama-Ẹrọnmwọn (bronze relief plaques), making them the most commonly represented animal. Despite their prevalence, the precise species of fish are not easy to identify due to their “generic renderings”, possibly indicating that artists did not always distinguish between specific varieties. Fish are represented on the Ama-Ẹrọnmwọn both in profile and from above.

1 annotation
Ehẹn
Water fern
Ebe Amẹ
Water Fern

Ebe Amẹ refers to a wide variety of plants, particularly the leaves of the water fern or river leaf, found in riverine areas of southern Nigeria. Artists from the Igun-Ẹrọnmwọn used these as a decorative motif in the background of most Ama-Ẹrọnmwọn (bronze relief plaques). The petals of the Ebe Amẹ, like the points of the ἀghàdàgháda (crossroads), represent the four cardinal directions: north, east, south, and west. The number four plays a foundational role in the Edo calendar, which is structured around four market days.

1 annotation
Ebe Amẹ
alligator
Ẹghughu
Crocodile

In the riverine area surrounding Benin City, there are two types of crocodile. The Ẹghughu, known in English as the dwarf or bush crocodile, is believed to be more docile. Ọbazee 2025, p. 133 The second type is the Àgbákà, the aggressive Nile crocodile. Ọbazee 2025, p. 11

Crocodiles are one of the important animals represented in the historical Emwin Arhe, and they are known as Olokun’s guards or the “policemen” of the waters. The powerful and ferocious qualities of these animals might explain why warrior figures are often depicted wearing Uhunmwu-Ẹkuẹ (pendant masks) in the shape of crocodile heads on Ama-Ẹrọnmwọn (bronze relief plaques). Olokun devotees use crocodiles as sacrificial animals in offerings during the worship of Olokun.

1 annotation
Ẹghughu

Provenance

6 events
Production
1504 (approximate) to 1550 (approximate)
The object was produced by Unknown member(s) of the Igun-Ẹrọnmwọn guild in Benin City.
Looted
February 19, 1897 (day approximate) to June 1899 (month approximate)
The object was looted by Ralph Denham Rayment Moor from Benin Kingdom.
Transfer
March 19, 1897 (day approximate)
The object was transferred from Ralph Denham Rayment Moor to British Foreign Office from Benin City to London.
Loan
September 7, 1897 to January 1898 (month approximate)
The object was loaned by British Foreign Office to the British Museum through Crown Agents for the Colonies in London.
Donation
January 15, 1898
The object was donated by British Foreign Office to the British Museum in London.
Exhibition
1970 to 1973
The object was exhibited at London.

Related archival documents

2 documents
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Date
Date

Institution data

British Museum
The data was transferred directly by the institution.
Last updated: 2025-06-10
Language: english
Institution fieldValue
Registration number
object id
Af1898,0115.172
Additional IDs
object id
196 (?) (Foreign Office number)
PRN
object id
EAF26576
Object Type
designation
plaque
Description
description
Relief plaque, lost-wax cast in brass. Wide plaque, rectangular in form with side flanges. Background surface decorated with river leaf patterns and stippling. Two downturned crescents in top right and left corners, in low relief. Two nail holes at top right and partial hole at top left. Hole at bottom right. Depicts figure of crocodile, in relief, shown from above, holding mudfish in mouth. Crocodile has slim limbs, curved tail, prominent eyes and scales represented by raised elongated ovals.
Ethnic name (made by)
ethnic attribution
Edo
Date
date made
16thC-17thC
Production place
production place
Made in: Benin City
Findspot
place collected
Found/Acquired: Benin City
Materials
material
brass
Technique
production technique
lost-wax cast
Dimensions
dimensions
Height: 48.30 cm~Width: 34.80 cm~Depth: 6.50 cm~Weight: 7.58 kg
Curator’s comments
provenance
The relief brass plaques that used to decorate the Oba's (king's) palace are among the most well-known of all the royal arts of Benin. Although frequently described as 'Benin Bronzes' most plaques are made of leaded brass in various compositions. It is widely accepted that they date to the 16th-17th centuries. In the years prior to the British royal influence in Benin was increasingly under threat from rival powers, both internal and external, with a focus on economic power and control of the important trading monopolies. However, the court and palace remained the political and spiritual centre of the Benin Kingdom. Earlier accounts written by Europeans visiting the city describe its size and scale. The palace complex was set up around atrium courtyards; some had galleries with wooden pillars supporting the roof. Brass plaques, probably made in matching pairs, were fixed to these pillars. The Benin brass plaques represent a distinct and unique corpus of work, unparalleled elsewhere on the continent. They are cast using the cire perdue (lost wax) technique and show significant variation in the depth of the relief. Some of the plaques portray historical events or commemorate successful wars, while others are a vivid depiction of Benin court life and ritual. Several groups of plaques show clear stylistic similarities. William B. Fagg suggested that these plaques represent the work of master brass casters. Fagg, William, 1973, 'Nigerian Images', London: Lund Humphries Gunsch, Kathryn, 2018, 'Benin plaques: a 16th century imperial monument', London: Routledge, Taylor and Francis Group
Bibliographic references
bibliography
Gunsch 2018:
Exhibition history
exhibition history
Exhibited: 1970-1973, London, Museum of Mankind, Divine Kingship in Africa
Condition
condition
Fair; top left corner mising. Central section missing from top edge. Bottom left corner missing, small section missing from bottom right corner.
Subjects
iconography
palace/mansion
Associated events
event
Associated Event: British to Benin City - Feb 1897
Acquisition name (acquisition)
provenance
Secretary of State for Foreign Affairs
Acquisition date
accession date
1898
Acquisition notes (excavation)
provenance
This plaque was looted during the British to Benin City in 1897.
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